BOAT MOVIE REVIEW
Cast: Yogi Babu, Gauri Kishan, MS Bhaskar, Chinni Jeyandh, Madhumitha, Jessi
Director: Chimbudevan
Chimbudevan’s Boat starts off with an interesting idea but loses its way with all those big themes. Set in 1943 during World War II, the film follows ten diverse characters who find themselves stranded on a fishing boat in the Bay of Bengal.
The story, inspired by Ernest Hemingway’s “The Old Man and the Sea” and Sidney Lumet’s “12 Angry Men,” attempts to create a microcosm of Indian society on the boat. We have Kumaran (Yogi Babu), the fisherman, alongside characters representing various social, religious, and ethnic backgrounds.
As the group faces survival challenges, including a damaged boat and limited resources, they’re forced to confront their prejudices and societal issues. The film touches on themes of casteism, communalism, and social hierarchy, but often in a heavy-handed manner.
Chimbudevan’s direction shows promise in creating a visually interesting setting despite the confined space. The cinematography, particularly the night scenes lit by kerosene lamps, adds to the atmosphere. However, the plot often feels thin, relying too heavily on dialogue to drive the narrative.
The ensemble cast, including Yogi Babu, Gouri Kishan, and MS Bhasker, delivers solid performances, providing some buoyancy to the film. Yet, many characters feel more like stereotypes than fully realized individuals.
While Boat aims to deliver important social messages, it sometimes gets lost in its own ambitions. The pacing can be uneven, and some plot developments, such as the revelation of a terrorist on board, feel forced rather than organic.
Despite its flaws, Boat deserves credit for attempting to tackle complex issues in an unconventional setting. It may not fully realize its potential, but it offers moments of insight and tension that keep it from completely sinking.