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Rajinikanth turns 51, in screen years, on the Dharman set
Fifty-one years to the day since Apoorva Raagangal opened, the Dharman unit stopped work for a cake, a namaste and a producer named Kamal Haasan.
Indian cinema.
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Friday belonged to the fans, Saturday to the families: Rs 37.6 crore in two days, 59% occupancy, and a US start near Karuppu's entire opening weekend.
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Saturday's ticket queues looked a lot more like this frame than Friday's did, and that was the whole plan.
News ·
Fifty-one years to the day since Apoorva Raagangal opened, the Dharman unit stopped work for a cake, a namaste and a producer named Kamal Haasan.
News ·
A Bollywood star the makers will not name, Ajaneesh Loknath's score and burning oil fields: Sai Durgha Tej's actioner heads to the edit table.
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No tricolour, no face: the Independence Day drop hides the word Operation in its fine print and sets a bloodied Prabhas against the Charminar.
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A dance cut from Karuppu, WhatsApp slander, respect unpaid: the actor turned a blessing speech into a charge sheet, then blessed the film anyway.
Reviews ·
Vishal's directorial debut casts him in three roles across a shipping-empire revenge saga Tamil cinema shelved decades ago. The climax works; little else does.
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Mythri Movie Makers, the banner behind Pushpa, puts its weight behind a debut director's single-night wedding comedy. Karthik Subbaraj is already sold.
Reviews ·
Suriya and Mamitha Baiju spark in a breezy first half before Venky Atluri sands every edge off his characters. Likeable, but it plays too safe. 3.25/5.
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Sasi's drama about a mother who dares to want a second chance took about a week to cross the mark, and is streaming in four languages.
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Two and a half years after Blue Star, Ashok Selvan returns as actor and producer, with a Vignesh Raja story and what he calls a Govind Vasantha concert.
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The director who talked Vetrimaaran into acting now stars in his own rom-com, with Yuvan's full tracklist out front and a Netflix date that doubles as Radhika's birthday gift.
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Wayfarer pulls its fantasy thriller out of the Onam rush and gives Dulquer Salmaan's 40th film two extra weeks to line up screens in five languages.