KADAISI ULAGA POR MOVIE REVIEW
Cast: Hiphop Tamizha Adhi, Anagha, Natarajan Subramaniam (Natty), Nassar
Director: Hiphop Tamizha Adhi
Set in 2028 Tamil Nadu, Kadaisi Ulaga Por depicts a world where a new global superpower called The Republic has replaced the UN, bringing chaos to those who oppose it. As the Tamil Nadu Chief Minister GNR (Nassar) falls ill, his brother-in-law Natraj (Natty), a cunning political strategist, maneuvers to place the CM’s daughter Keerthana (Anagha) as the political heir. However, when Keerthana begins implementing positive reforms with help from Thamizh (Adhi), global events take a drastic turn.
The Republic launches an assault on India, with Chennai bearing the brunt of the attack. Amidst the destruction, Thamizh, an ex-anti-poaching ranger with a mysterious past, emerges as an unlikely leader. He must navigate the complex political landscape orchestrated by Natraj while rallying a diverse group of survivors to resist the invasion and fight for their land and freedom.
Hiphop Tamizha Adhi’s third directorial outing showcases his growth as a filmmaker, tackling an ambitious sci-fi premise rarely explored in Kollywood. The film’s strengths lie in its visual effects, which convincingly depict a war-torn Chennai, and its willingness to venture into uncharted territory for the industry.
Natty steals the show as Natraj, a scheming political kingmaker whose narration drives much of the plot. His performance adds depth to an otherwise straightforward story. Adhi himself takes a more subdued approach to his role, allowing other characters to shine, though this sometimes works against the film when his character needs to step up as the hero.
The movie’s pacing is generally brisk, with plenty of action and political intrigue to keep viewers engaged. However, it struggles to balance its various elements, often sacrificing character development for the sake of spectacle. The romance between Thamizh and Keerthana (Anagha) feels underdeveloped.
While Kadaisi Ulaga Por deserves praise for its ambition and some clever satirical touches, it takes on too much. The movie switches between serious and funny parts, and it can be a bit too much. Some parts of the story don’t make sense, even in its fictional world.
It’s still an entertaining ride for those willing to suspend disbelief and embrace its dystopian vision. It’s a commendable effort that shows promise for the future of the genre in kollywood, even if it doesn’t quite reach the heights it aspires to.