STAR MOVIE REVIEW
Cast: Kavin, Lal, Aaditi Pohankar, Preethi Mukundan, Geetha Kailasam, Maaran
Director: Elan
Star, with its predictable plot and familiar tropes, might not break new ground, but it offers a decent dose of heartwarming drama and a showcase for Kavin‘s acting chops. It‘s a classic underdog story with a touch of Tamil cinema masala, perfect for those who enjoy a good cry and a predictable ending.
We meet Kalaiarasan (Kavin), a young man with stars in his eyes and a desire to become an actor. His dad, Pandian (Lal), a photographer with a heart of gold, is his biggest cheerleader. Their bond is the film‘s strongest point, offering some touching and humorous moments, particularly when Pandian steps in to help his son navigate the hurdles of college life.
However, the film falters in its depiction of Kalaiarasan‘s struggles. While it throws in the usual obstacles – rejections, financial woes, and a disfiguring accident – it never quite captures the grit and desperation that comes with pursuing a dream in a cutthroat industry. The college scenes feel clichéd, complete with a plastic romance with Meera (Preethi Mukundan). They both just chase each other in the most kollywood fashion.
The film‘s second half offers a slight improvement, thanks to Surabhi (Aaditi Pohankar), Kalaiarasan‘s new lover. Their relationship feels more grounded and relatable, and Surabhi‘s tough love approach adds a refreshing dynamic to the narrative. They should’ve definitely cut out that cringey theater scene though.
Kavin shines as Kalaiarasan, carrying the film with his nuanced and emotionally resonant performance. He makes even the most predictable scenes engaging, conveying a sense of vulnerability and determination. Aaditi Pohankar is equally impressive as Surabhi, bringing a mix of strength and sensitivity to the role. Lal complements Kavin‘s performance, creating a believable father-son dynamic. And for cinephiles, there’s a delightful cameo by director Vetrimaaran that‘s sure to elicit cheers.
Yuvan Shankar Raja‘s score is a standout element, elevating the film‘s emotional impact with its orchestrations and soaring melodies. He’s got violins, guitars, keyboards, flutes. There’s an element of grandeur to it, like Vangelis‘ Chariots of Fire.
Star is a film that wears its heart on its sleeve. It‘s predictable, occasionally cheesy, and not without its flaws. But you’ll still end up watching the over 150 minutes runtime all the way through.