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Mohan Raja returns to Tamil cinema with Karthi

Nine years after Velaikkaran, the director who made Thani Oruvan is back on a Tamil set, with Prince Pictures paying and Karthi in his warmest register.

Karthi with director Mohan Raja and producer S. Lakshman Kumar at the announcement of their new film for Prince Pictures
Mohan Raja signs his first Tamil film since 2017, and Karthi heads back to the lane Meiyazhagan proved for him.

The headline pairing here is Karthi and Mohan Raja, working together for the first time. The more significant half of it is Mohan Raja, who has not directed a Tamil film since Velaikkaran in 2017 and has not released anything anywhere since Godfather in Telugu four years ago. Prince Pictures announced the project on Monday with a photograph of the actor, the director and producer S. Lakshman Kumar, and a single line: a new journey begins.

What has been confirmed is the shape rather than the specifics. It is being made as a family entertainer built on family values, emotion and heroism, with shooting due to start soon and the cast, technical crew and release plan to follow over the coming weeks. There is no title yet.

The timing is not incidental. Mohan Raja is marking his 25th year as a director, and he spent the first half of it as Tamil cinema’s most reliable remake man, turning Telugu hits into Jayam, M. Kumaran Son of Mahalakshmi, Santhosh Subramaniam and Velayudham. Thani Oruvan in 2015 was the film that changed the reading of him, an original that landed hard enough to make its villain a template other films kept borrowing from. Velaikkaran followed in 2017, Godfather with Chiranjeevi in 2022, and then a long quiet. Thani Oruvan 2, announced with Ravi Mohan and Nayanthara on the first film’s eighth anniversary, has not moved since. Raja is Ravi Mohan’s elder brother, and the sequel has stayed parked through a year in which his brother has kept his own releases on hold.

So he comes back with a different lead, a different banner and a genre he has always been comfortable inside. Karthi has spent this stretch in the busiest patch of his career, with his 30th film already shooting under Mad director Kalyan Shankar, Sardar 2 still to arrive and Vaa Vaathiyaar behind him. The family register is the one that has served him best, and Meiyazhagan is the recent proof: a warm, unhurried film that ran on his likeability rather than on scale. Prince Pictures is describing this one in almost exactly those terms.

The banner keeps coming back to him too. Prince Pictures made Singam 2 and Sardar, is carrying Sardar 2, and this is another Karthi film on top of that. Lakshman Kumar has effectively built a house style around the actor, and pairing him with a director returning from a nine-year Tamil absence is the most interesting bet the company has placed in a while.

Prince Pictures called it a new journey. For Mohan Raja it reads more like a return trip, and the thing worth watching is not another anniversary post but a camera actually rolling.

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